Buddhist protective amulet, white Tara in solid silver 925, 18k turquoise gold plated, agate nan hong. mantra turning to the back

Buddhist protective amulet, white Tara in solid silver 925, 18k turquoise gold plated, agate nan hong. mantra turning to the back

$358.68

Shipping to United States: Free

Buddhist protective amulet, Tara in its white form
Solid silver 925, 18k gold plated
copper on the back

Deity protected by a protective glass made of leuco sapphire like high-end watches.
Arizona Turquoise

Agate nan hong (southern red) of Yunnan, site of Baoshan. This execptional agate owes its red color to the presence of sinnabar.

Mantra of compassion, "om mani padme hum!" turning on the back thanks to a high-precision German ball bearing system.

Pendant dimensions: 53mm diameter
Weight of 72 grams

Comes with a mala consisting of 108 coconut, silver and copper pearls.

Video of the collection available via this link
https://www.facebook.com/103104533147394/videos/876767423153711

As a gemologist graduated from the National Institute of Gemmology (ING), Paris, France. All our materials are appraised and certified by us.

White Tārā, Tibetan, Dolma Karpo, Sītā Tārā, the White Liberator but also, luminous, clear, is one of the forms of the 21 known Tārā. She is a deity of Tibetan Buddhism. It symbolizes the activity of pacification, and more particularly grants longevity and health. His mantra is often recited with someone in mind. It also expresses compassion, and it is represented with seven eyes to signify the vigilance and omniscience of the spirit inhabited by this compassion (karuna).

The Sanskrit root târ- means "to cross" or "to cross" as by using a bridge to cross a stream. In the Indian Orthodox sacred tradition, Târâ refers to the second of the ten means of realization. And as Shri Tara Devi, she is the deification of this Mahavidya, according to Hindu Tantra. As A Târîni, she carries you through. In other words, it serves as a bridge for you to reach immortality. But the tar- root can mean "tree" and "especially," and it's also related to "star" and "pupil of the eye."

In Tibetan, it is called Dolma or Do'ma , although often we see Drolma because it follows the Tibetan spelling (a little more; if we transliterate, it is actually sgrolma.)

Tara in its white form is distinguished by its White body, like an autumn moon; clear as a stainless crystal jewel, radiating light. She has one face, two hands, three eyes. She is described in textbooks as having the youth of 16 years. Her right hand makes the gesture of giving gifts, and with the thumb and ring finger of her left hand, she holds a branch of white utpala, her petals at the level of her ear.

There are three flowers at various stages of growth symbolizing the three times (past, present and future). The first flowering that is seeded, usually on the right, represents Buddha Kashyapa who lived in a past eon; the second in first bloom represents the historical Buddha Shakyamuni, whose activity brought you here today, and the bud on the left symbolizes the future Buddhas - the expected one is the Maitreya Buddha.

Her hair is dark blue, bound to the back of her neck in the back with long hanging braids; her breasts are full; she is adorned with various precious ornaments, her blouse is of silk of different colors, and her robes are of red silk, the palms of her hand and the soles of her feet each have an eye, constituting the seven eyes of knowledge; she sits upright and firm on the circle of the moon, legs crossed in the diamond posture.

White Tara is called "Mother of All Buddhas".

According to Tibetan Buddhism, reciting Chenrezi Om Mani Padme Hum's mantra, aloud or inwardly, is an invocation to Chenrezig's benevolent and powerful attention, the expression of the Buddha's compassion. Seeing the written mantra can have the same effect, which is why it is found in clearly visible places, or even engraved in stone. It can also be invoked using prayer wheels on which the mantra is inscribed, sometimes thousands of times. There are different formats of prayer wheels: there are those that you can carry with you and rotate with one hand, and there are others that are so large and heavy that it takes several people to turn them. According to Tibetan Buddhist monks, the mantra Om Mani Padme Hum (Hung) alone brings together all the teachings of the Buddha.

Each syllable closes a door of reincarnation:

OM: Close the door to the world of the Devas (gods). MA: Close the door to the world of asuras (demigods). NI: Close the door to the human world. PAD: Close the door to the animal world. ME: Close the door to the world of pretas ("greedy spirits"). HUNG: Close the gate to hell.

Each syllable purifies a veil:

OM: purifies the veil of the body. MA: Purifies the veil of speech. NI: purifies the veil of the mind. PAD: purifies the veil of contradictory emotions. ME: purifies the veil of substantial existence. HUNG: purifies the veil that covers knowledge.

Each syllable is a mantra in itself:

OM: for the body of the Buddhas. MA: for the word of the Buddhas. NI: for the spirit of the Buddhas. PAD: for the virtues of the Buddhas. ME: for the achievements of the Buddhas. HUNG: for the grace of the body, the word, the spirit, the virtue and all the accomplishments of the Buddhas.

Each syllable corresponds to one of six transcendental paradigms or refinements:

OM: generosity. MA: Ethics. NI: tolerance. PAD: perseverance. ME: concentration. HUNG: discernment.

Each syllable is also connected to a Buddha:

OM: Ratnasambhava. MA: Amaoghasiddi. NI: Vajradhara PAD: Vairocana. ME: Amitabha. HUNG: Akshobya.

Each syllable of the mantra purifies us of a defect:

OM: Pride. MA: the desire/desire to be entertained. NI: passionate desire. PAD: stupidity / prejudice. ME: poverty/possessiveness. HUNG: aggressiveness/hatred.

Finally, each syllable corresponds to one of the six wisdoms:

OM: the wisdom of stability. MA: the all-fulfilling wisdom NI: wisdom emanates from oneself PAD: the all-embracing wisdom (dharma) ME: the discriminating wisdom HUNG: the mirror-like wisdom.

for all information on our activity and dates of exhibitions in mineral salons.
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