Mala Buddhist rosary
108 7mm indian grade red sandalwood beads of 7mm diameter
Lapis lazuli from Afghanistan Sar-ee-Sang
Alashan Gobi Desert jaspe
Buddhist monk pendant chan praying in nature
This red sandalwood, from India, much rarer than white sandalwood has no characteristic smell and is part of the very precious woods.
In Buddhism, sandalwood is one of the Padma (lotus) and corresponds to the Amitabha Buddha, plus the element of this Buddha is fire and its color, red. Sandalwood is considered capable of transforming desires and retaining the attention of a person practicing meditation.
Sandalwood is one of the main constituents of incense made in China, Taiwan, Japan, Vietnam, Korea, and is intended to be lit in temples or during worship. It is also widely used in India for these same applications.
The mala, trengwa, in Tibetan is the rosary of the Buddhist, the object from which the monk (or even the lay practitioner) almost never separates, holding it in his hand or wrapped around the wrist.
The mala is first of all a utilitarian onjet: it serves as a tactile medium for the recitation of mantras, at the same time as it is used to count them if one has set a set to repeat a defined number.
The mala is composed of 108 strung beads, which justifies its name, since it simply means "garland" (beads). The various components each contain a symbolic meaning specify: The big pearl (or Buddha's head) that closes the loop meets the knowledge of emptiness. The small cone that overcomes it is the mark of emptiness itself. The cord on which the beads are threaded must, theoretically, present itself as a braid of several threads:
three sons symbolize the "three bodies" of a Buddha (Absolute Body, Body of Glory and Body of Emanation);
five sons symbolize the "five wisdoms" or the "five families" of Buddhas (Buddha family, vajra family, jewel family, lotus family, activity family)
nine threads symbolize the primordial Buddha Vajradhara and the eight great bodhisattvas.
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