wheel of Buddhist life, turning.
Silver 925, copper, Arizona turquoise, agate say nan hong.
Collectible lighter. delivered without lighter stone and not loaded for security reasons for remote sale.
Total weight 120 grams.
Case weight alone 89 grams
Video of the lighter available via this link
Explaining the wheel of Buddhist life via this link on our blog
Legendary animal that dismisses negative energies and malicious people
The roaring lion symbolizes the way of Buddhist law.
Vairocana also has a particular animal, the lion, which is also associated with the proclamation of Truth. In Buddhist scriptures, the Buddha's word is sometimes called his singha-nada, his "lion's roar" (singha is "lion," nada is "his" or "roar"). The lion roars at night in the jungle, fearless of other animals. Other animals are afraid to make noise, for fear of being attacked by their enemies. The lion roars, according to myth and legend, to proclaim its sovereignty over the entire jungle. The Buddha's fearless proclamation of the Truth, his proclamation of his sovereignty over the entire spiritual universe, is thus compared to the roar of the lion.
In a relatively late form, manjushri was depicted sitting on a lotus resting on the back of a guardian lion.
The lions in Buddhism are the symbols of the bodhisattva, the "sons" of Buddha.
In the iconography, we find the lions in their roles as protectors supporting the throne of Buddha or bodhisattvas. They are also the guardians of monasteries and holy places. Lions are the kings of Buddhist doctrine because they have succeeded in subjugating beings with their love, compassion and wisdom. Lions, like temple keepers, are represented in two at the entrance to temple enclosures or sacred places.
The "guardian lions" ("Lions of Peter"), sometimes referred to as "Fu Dogs" in the West, are a common representation of the lion in pre-modern China, symbols of protection in the "Feng Shui" philosophy, known for attracting happiness and fortune. It is also a protective animal of the "Dharma" and sacred buildings, symbolizing peace and prosperity. Presented in pairs, they sit at the entrance of imperial palaces and tombs, temples, houses of officials (rich dignitaries, nobles or "mandarins" of the "Han Dynasty" (O), serving, for the latter, to testify to the social status of the residents. Today, lions-guardian couples are also used ornamentally, at the entrances to restaurants, hotels, supermarkets and other buildings.
As early as 208 B.C., the Buddhist version of the Lion was adopted in China as a protector of the "dharma" and was declined in religious art. Gradually, they were incorporated into Chinese architecture to embody the notions of power and authority by being placed at the entrance of the imperial buildings and then those of the temples. There are different styles of guardian lions that reflect the influences of different historical, dynastic, and regional periods. These styles vary in their artistic details and the care given to the ornaments as well as in the expressions, sometimes fierce, sometimes playful. Although the appearance and morphology of the guardian lions were quite varied throughout Chinese history, their appearance and posture eventually be changed during the "Ming" and "Qing" dynasties in the form they are known to be today.
In Japan, these same lions are better known as "ShiShi" ("lions"), "Kara shisi" or "Kosh shisi" or "Koma Inu" ("Korean dogs") introduced to Japan by the kingdom of "Koryo" (old Japanese term for the Kingdom of Korea). On the "Okinawa Archipelago" there is also a regional variant called "Shisa" used in the same way as the Gargoyles in the West, aimed at repelling harmful influences.
In the same way as in China, there is the Koma Inu at the entrance to many "Shinto Shrines" (Jinja), Buddhist temples, noble residences or even in private homes. They are divided into two categories: the first, which appeared during the "Edo period" (O), is called "SanDo Koma Inu" and the second, much older, called "JinNai Koma Inu" (O. Designed to ward off evil spirits, these statues resemble those of Chinese lions, with a few details, but retain the symbolism and characteristics of them. Indeed, the male has an open mouth, while the female keeps it closed. This trend, however not of Buddhist origin, has a symbolism attached to the first and last sound of the Sanskrit alphabet. The open-mouthed statue symbolizes the sound of "Ah" (A-Gyo/first syllable in Sanskrit), while the closed-mouthed statue symbolizes the "Hum" sound( Together, they form the sacred syllable of several religions such as Hinduism, Buddhism and Jainism. There are, however, exceptions to the rule in which both Koma Inu have their mouths open or closed. However, other styles have two lions with a pearl in their respective mouths, just large enough to be contained without ever being able to be removed.
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