Ghau, Tibetan Buddhist amulet, bodhisattva Samantabhadra
The ghau is a kind of transportable altar in which the image of the chosen deity of the possessor is kept, wrapped in silk garments. The vast majority of Tibetans use the ghau at home and carry it during their travels. They keep it on a real altar at home. During travels, it is hung on the back belt. It serves as a protective symbol during travels and also allows its owner to prove his devotion to his deity.
Arizona turquoise "sleeping beauty"
Agate known as nan hong (southern red), a baoshan deposit in Yunnan province.
An exclusively Chinese mineral, this agate called nan hong (southern red) holds its very particular color by its link with cinnabar on the deposits. . Places of deposits (volcanic) Yunnan region baoshan site, Sichuan site of Liangshan for the only two deposits.
As a gemologist graduated from the National Institute of Gemmology of Paris, all our stones are appraised and certified
Dimension of the Ghau: 26mm high by 32mm wide by 10mm thick for a weight of 21 grams
Thangka painted by hand
Tangka is painted at Longwu Temple, also called Wutun. Tibetan lamaserie located in Rebkong Tibetan Prefecture, Amdo Province, called Huangnan in Qinghai Province in China and is 186 km from Xining.
Renowned center of Tibetan thangka painting. Regong arts were inscribed in 2009 on the Representative List of the Intangible Cultural Heritage of Humanity.
The colors of this tangka are composed of pure gold and crushed minerals.
sold with certificate of authenticity.
The protective windows are made of leuco sapphire like high-end watches.
Mandala and dorje turning on the back thanks to an elegant precision ball bearing system in Germany
The Ghau is open to receive small prayer scrolls or mantras.
Sold with a adjustable cord, enhanced with 925 silver and 23K gold plating adaptable to all sizes
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Protector of people born under the sign of the dragon and the snake
Samantabhadra, whose name in Sanskrit means universal dignity, is a bodhisattva of Mahayana, or great vehicle.
Associated with dhyana, meditation, he forms a triad with Siddartha Gautama Buddha and Bodhisattva Manjushri.
Dignitary of the Lotus Sutra, and according to the Avatamsaka Sutra, Samantabhadra made the bodhisattva's ten great vows
1. Pay tribute and respect to all Buddhas.
2. Praise the Thus Came the Tathagata (Buddha)
3. Make abundant offerings.
4. Repent of misdeeds and bad karmas.
5. Rejoice in the merits and virtues of others.
6. Ask the Buddhas to continue teaching.
7. ask the Buddhas to stay in the world.
8. Follow the teachings of the Buddhas at all times.
9. welcome and benefit all living beings.
10. Transfer all merits and virtues for the benefit of all beings.
Known in Chinese Buddhism as Puxian, it is associated with action, while Manjushri is associated with transcendent wisdom or prajna.
Answering the name of Fugen in Japan, Samantabhadra is the subject of an important cult in the Tendai and Shingon currents.
Considered the adhi-Buddha (Primordial Buddha) in the Nyinqma current of Tibetan Buddhism, he is often depicted as Yab-Yum, or indivisible female male union with his wife or paredre Samantabhadri.
Dzongsar Khyentse Rinpoche following the Nyingmapa Dzogchen tradition qualifies the nature and essence of Samantabhadra, the Primordial Buddha, as the originless source of the timeless and unlimited Atiyoga teachings, and honors the contradictory view maintained by some parties arguing that the Dzogchen teachings originated from the Bonpo tradition or the Chinese monk Moheyan:
"Samantabhadra is not subject to time, place or physical condition limits. Samantabhadra is not a colorful two-eyed being. Samantabhadra is the unity of consciousness and emptiness, the unity of appearances and emptiness, the nature of the mind, natural clarity with unceasing compassion – this is Samantabhadra from the beginning."
Unlike its more popular counterpart Mañjuśrī, Samantabhadra is only rarely depicted alone and is usually found in a trinity on the right side of Shakyamuni, mounted on a six-tusked white elephant. In those traditions that accept the Avatamsaka Sutra as its fundamental instruction, Samantabhadra and Manjusri flank the Vairocana Buddha, the central Buddha of this particular sutra.
He is sometimes shown in Chinese art with feminine characteristics, riding an elephant with six pairs of tusks while wearing a lotus leaf 'parasol' (Sanskrit: chatra), wearing a dress and characteristics similar to some female representations of Guanyin. It is in this form that Samantabhadra is revered as the patron bodhisattva of the monasteries associated with Mount Emei in western China in Sichuan Province, an important Buddhist pilgrimage site. Some believe that Samantabhadra's white elephant mount was the same elephant that appeared to Queen Maya, the Buddha's mother, to announce her birth.
The esoteric traditions of Mahayana treat Samantabhada as one of the "Primordial" Buddhas (Sanskrit: Dharmakaya), but the main primordial Buddha is considered Vairocana.
The Sri Lankan people revere Samantabhadra Bodhisattva as Saman (also called Sumana, Samantha, Sumana Saman). The name Saman means "the rising sun of the morning". The god Saman is considered one of the guardian deities of the island as well as a protector of Buddhism. His main shrine is located in Ratnapura, where an annual festival is held in his honor.
Vajra, in Tibetan dorje. It is arguably the most important symbol of Tibetan Buddhism. The term means "diamond" and refers to the indestructible nature of the mind in itself, awakening, which is both imperishable and indivisible. The small scepter seems to be, originally, the diamond lightning of the god Indra, it is a mark of royalty and power.
(1) the five upper points represent the five wisdoms, five facets of the diamond that is the awakened mind:
mirror-like wisdom, which means that the awakened mind, just like a perfectly polished mirror, clearly reflects all things, possesses the ability to know everything, without any confusion.
the wisdom of equality, which recognizes that all the phenomena of samsara (my ordinary world) and nirvana (the pure fields or paradise of the Buddhas) are of an equal nature in that they are of a unique essence: emptiness
the wisdom of distinction, which denotes that the awakened mind perceives not only the emptiness of all phenomena (which is what the wisdom of equality operates) but also, in an uncontroduction simultaneity, all phenomena as they manifest themselves;
the fulfilling wisdom, which allows the Buddhas to create pure fields and emanations working for the good of beings;
the wisdom of universal space, which indicates that all phenomenes, beyond all concept and duality, dwell in the pure knowledge of the spirit.
2° At the same time as the five wisdoms, these five upper points symbolize the Five Conquerors or five main Male Buddhas on a mystical level. The five lower points symbolize the Five Female Buddhas.
3° The mouths of makara (sea monster) from which emerge the tips denote the liberation of the cycle of existences.
4° The eight upper petals represent the eight male bodhisattvas, in other words eight large bodhisattvas dwelling in celestial domains.
5° The eight lower petals are the eight female bodhisattvas.
6 ° The round part in the middle designates emptiness.
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