The mala, trengwa, in Tibetan is the buddhist's rosary, the object from which the monk (or even the lay practitioner) almost never separates, holding it in his hand or wrapped around the wrist.
The mala is first of all a utilitarian onjet: it serves as a tactile support for the recitation of mantras, at the same time as it is used to count them if one has set to repeat a defined number.
The mala is composed of 108 strung pearls, which justifies its name, since it simply means "garland" (of pearls). The different components each contain a symbolic meaning specify: The large pearl (or Buddha's head) that closes the loop represents the knowledge of emptiness. The small cone that surmounts it is the mark of emptiness itself.
As a gemologist graduated from the National Institute of Gemmology of Paris, all our stones are appraised and certified.
As a Malakara, we make all our malas ourselves while scrupulously respecting tradition.
A sliding knot under the finishing bead allows to tighten and loosen the whole for practice
The cord used is a traditional cord, braid of 5 threads representing the 5 colors of the 5 meditation Buddhas
Mala dimension: 53cm
Our entire collection of mala is visible and accessible by clicking on this link
Mala, Buddhist rosary in rudrashka 108 seeds from Indonesia;
Dimensions 8mm by 7mm
Rudrashka with 5 faces.
The rudraksha (Rudra-Aksha, "eye of Rudra" in Sanskrit, Rudra being one of the names of Shiva) is the seed of Elaeocarpus angustifolius, a tree that inhabits India.
By extension some Hindu rosaries (mâlâ) made of these seeds bear this name. Shiva is traditionally depicted wearing such rosaries around his neck. Sadhus and Shivaite yogis in India usually wear one.
The value of the grain varies according to the number of faces (mukhi).
those with five faces are the form of Pancha Brahma (the five-time Brahma) and protects the wearer from any risk of murder.
The seeds of a rudraksha are therefore reputed to contain a special power and have a positive influence on spirituality and health. In particular, they would promote meditation.
the whole is enhanced with counterstop in silver 925 and copper.
REPRESENTATION OF THE BELL AND THE DORJE
Silver and copper
Every Buddhist practitioner in Tibet and every officiant of a ritual has three objects to which Tibetans attribute a deep and meticulous symbolism. These are the vajra, the bell and the mala.
Vajra, in Tibetan dorje. It is arguably the most important symbol of Tibetan Buddhism. The term means "diamond" and refers to the indestructible nature of the mind in itself, awakening, which is both imperishable and indivisible. The small scepter seems to be, originally, the diamond lightning of the god Indra, it is a mark of royalty and power.
(1) the five upper points represent the five wisdoms, five facets of the diamond that is the awakened mind:
mirror-like wisdom, which means that the awakened mind, just like a perfectly polished mirror, clearly reflects all things, possesses the ability to know everything, without any confusion.
the wisdom of equality, which recognizes that all the phenomena of samsara (my ordinary world) and nirvana (the pure fields or paradise of the Buddhas) are of an equal nature in that they are of a unique essence: emptiness
the wisdom of distinction, which denotes that the awakened mind perceives not only the emptiness of all phenomena (which is what the wisdom of equality operates) but also, in an uncontroduction simultaneity, all phenomena as they manifest themselves;
the fulfilling wisdom, which allows the Buddhas to create pure fields and emanations working for the good of beings;
the wisdom of universal space, which indicates that all phenomenes, beyond all concept and duality, dwell in the pure knowledge of the spirit.
2° At the same time as the five wisdoms, these five upper points symbolize the Five Conquerors or five main Male Buddhas on a mystical level. The five lower points symbolize the Five Female Buddhas.
3° The mouths of makara (sea monster) from which emerge the tips denote the liberation of the cycle of existences.
4° The eight upper petals represent the eight male bodhisattvas, in other words eight large bodhisattvas dwelling in celestial domains.
5° The eight lower petals are the eight female bodhisattvas.
6 ° The round part in the middle designates emptiness.
The bell, in Tibetan drilbou. It symbolizes, in a general way, emptiness (emptiness does not mean that nothing exists, but that phenomena do not exist as we perceive them because of the veil of ignorance that covers our mind).
1° Its hollow part represents emptiness and its beat the "sound" of emptiness (i.e. its dynamics potentially containing the manifestation)
2° The lotus with eight petals symbolizes the eight female bodhisattvas, associated with the idea of emptiness like all female deities.
3 ° The vase contains the nectar of the accomplishments.
4° The face on the handle is that of the female deity Prajnaparamitam symbol of the knowledge of emptiness.
5 ° The vajra contains its prope symbolism as seen above.
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