Tibetan Buddhist mala rosary, 108 red sandalwood pearls of collection quality, rare. Authentic DZIS. true turquoises.

Tibetan Buddhist mala rosary, 108 red sandalwood pearls of collection quality, rare. Authentic DZIS. true turquoises.

$648.33

Shipping to United States: Free

The mala, trengwa, in Tibetan is the buddhist's rosary, the object from which the monk (or even the lay practitioner) almost never separates, holding it in his hand or wrapped around the wrist.
The mala is first of all a utilitarian onjet: it serves as a tactile support for the recitation of mantras, at the same time as it is used to count them if one has set to repeat a defined number.
The mala is composed of 108 strung pearls, which justifies its name, since it simply means "garland" (of pearls). The different components each contain a symbolic meaning specify: The large pearl (or Buddha's head) that closes the loop represents the knowledge of emptiness. The small cone that surmounts it is the mark of emptiness itself.

Our article explaining in detail the mala and the creation process available via this link
https://www.dongmeietjeremyzg.com/post/1037950288233/mala-histoires-et-explications-du

As a gemologist graduated from the National Institute of Gemmology of Paris, all our stones are appraised and certified.

As a Malakara, we make all our malas ourselves while scrupulously respecting tradition.

To consult our entire catalog of malas, please click on this link
https://www.etsy.com/fr/shop/DongmeietJeremyZG?ref=seller-platform-mcnav§ion_id=21900681

To consult our entire shop, please click on this link
https://www.etsy.com/fr/shop/DongmeietJeremyZG?ref=seller-platform-mcnav

We assemble our malas on a traditional cord, a braid of 5 threads of the 5 colors of the 5 meditation Buddhas.

This mala is composed of 108 red sandalwood pearls, a rare collection quality from India.
much rarer than white sandalwood has no characteristic smell and is part of the very precious woods.
In Buddhism, sandalwood is one of the Padma (lotus) and corresponds to Amitabha Buddha, moreover the element of this Buddha is fire and its color, red. Sandalwood is considered capable of transforming desires and retaining the attention of a person practicing meditation.
Sandalwood is one of the main constituents of incense made in China, Taiwan, Japan, Vietnam, Korea, and is intended to be lit in temples or during worship. It is also widely used in India for these same applications.

Dimension of each pearl: 8mm
Total mala length: 65cm

two barrels in authentic turquoise of high quality from the Hubei region have been incorporated in countersperles
Total weight of turquoises of 13 carats.

MEANING AND SYMBOLS OF THE DZIS USED

We have also incorporated DZIS (Tibetan Sacred Agate) on this mala
The central DZI is a three-eyed DZI
According to Tibetan tradition, the 3-eyed Dzi represent the three stars of luck, happiness, honor and longevity. This is the manifesto of the Hindu god of wealth, the Kubera. This 3-eyed pearl creates the favorable conditions to enjoy fortune, happiness and prosperity.
Dimensions of this DZI: 45mm long by 14mm in diameter.

4 smaller Dzis, 12mm in diameter each were also used.

According to Tibetan tradition, 2-eyed dzis allow harmony between husband and wife to build a happy family, to ensure success and good relations with others. The 2-eyed pearl represents the harmonious concept of Yin and Yang, the vital balance. So this pearl strengthens stability and balance.

The teeth of the tiger DZI give the person who wears this DZI will-power and persistence. It is believed that this stone helps to focus the mind and realize one's personal aspirations.


Dzis are supposed to bring good fortune, ward off evil spirits, and protect its wearer from dangers and accidents, and even bring longevity and good health.

The DZI originates from the Central Asian region and is usually found in a region that covers Afghanistan, Iran, Tibet, India, Pakistan, Nepal, Buthan to Burma and Thailand. They are found in many sizes and shapes, with multiple eyes and stripes. Tibetans cherish these pearls and consider them hereditary jewels. The meaning of the Tibetan word "Dzi" translates to "brilliance, clarity, splendor". In Mandarin Chinese, dzi are called "pearl of the sky". Tibetans recognize, without being envious or jealous, the qualities of brilliant people, those people who shine intellectually and attract the attention and admiration of all. For Tibetans, wearing a Dzi pearl can develop in everyone that natural brilliance called Talent.

The Dzis that can be translated as "brilliantly polished", "luminous" are agate pearls of elongated shape having on their surfaces a decoration of various and varied geometric shapes, but each having a very specific meaning. Dzi are considered by Tibetans to be powerful protections. According to legend, these stones are not of earthly origin, but, shaped by the gods and sown on earth so that whoever finds them, has a better Karma.

Many legends attribute to them a divine origin. One of them claims that they sometimes fall from the sky escaped from the treasures of the Gods, another says that they "mature" at the bottom of the earth and that they can sometimes be found inside some geodes. Some legends say that they are fossil insects, and others finally Garuda droppings.

The Dzi are also mentioned in some ancient Buddhist texts because some malas intended for the advanced practices of Vajrayana must be made in Dzi Dzi dating back 4500 years were found in Tibet during archaeological excavations, so in the middle of the Bön shamanism period long before the arrival of Buddhism.

Our contemporary Dzis are made according to tradition, by Tibetan craftsmen located at the crossroads of Yunnan, Sichuan and Tibet in essins on its surface its handmade by man, but according to a secret technique. A mixture of plant and lead is applied to their surface, the whole thing is cooked (at about 1200 degrees); at the exit and once the mixture is removed the drawings appear. According to some sources, some of the oldest Dzi were colored FROM THE INSIDE using secret techniques lost for a long time...

PHURBA
A Phurba in silver, copper and turquoise was used in finishing
Tibetan Buddhism pendant.
Tantric protection amulet
Phurba, dagger to defeat the demons.
Silver 925,
copper.

Tibetan sacred agate inspiration, DZI rotating thanks to a precision rotating ball bearing system elevated in Germany
The choice of mantra of compassion "om mani padme hume" or DZI with 9 eyes.
In the Tibetan tradition, reciting the mantra of compassion or spinning it brings protection and health as well as compassion to the 4 corners of the universe.

The Dzi of the 9 eyes helps its owner to enrich himself, and to expel evil and acts as a protector. The number 9 is highly symbolic since it represents the 9 planetary systems that provide wisdom and merit.

Turquoise "sleeping beauty" from Arizona.

As a gemologist graduated from the National Institute of Gemmology in Paris, all our subjects are expertized and certified.

Phurba dimension: 74mm high by 15.7mm wide.

The Phurba is a dagger to defeat demons. It was introduced into Tibetan Buddhism by Phadmasambhava and is a symbol of transmutation of negative forces.

Often made of stones, bones, or iron, Phurba daggers from Tibetan Buddhist temples are easily recognizable by their triple-sided blade. Used in rituals to drive away unwanted spirits, Phurba acts spiritually to immobilize demonic spirits and sometimes kill them in the hope that they will reincarnate in better places.

Each component of Phurba has its own meaning. The blade of the dagger represents the method, with each of the three sides representing the three-spirited worlds. The tip reconciling all three to form a harmonious global axis. The triple-blade design is also intended to simultaneously transform the world's three poisons into positive energies. These poisons are ignorance, greed and aggression. Enemies of Buddhism who may require a lifetime to overcome in the quest for enlightenment. The blade is often seen as indestructible and lit with a fire to burn above the hate.

The Handle of the Phurba represents wisdom and is often modeled as an eight-sided bulb with symmetrical nodes at each end. There are various interpretations to the presence of these nodes. From the belief that Nirvana is locked inside, to the belief that the different sections of the knots contain the paradises of several gods. By going as far as the desire for a formless form, representing the fact of being shapeless in the kingdom of the Buddhas.

The top of the handle often displays the three wrathful deities of Yamantaka, Amrita Kundalini, and Hayagriva. Yamantaka, the white face, symbolizes the body and the destruction of hatred. Amrita, her face colored blue, symbolizes the spirit and the destruction of illusion. Hayagriva, the face of red color, symbol of speech and the destruction of greed.

In many illustrations, the Phurba dagger is depicted in a simple form, due to its small size. However, in its three-dimensional form, this tiny blade is most often depicted with many Buddhist symbols and demonstrates its focus on purging evil.

DORJE AND BELL OF VAJRAYANA BUDDHISM
Silver 925 and copper
Every Buddhist practitioner in Tibet and every officiant of a ritual has three objects to which Tibetans attribute a deep and meticulous symbolism. These are the vajra, the bell and the mala.

Vajra, in Tibetan dorje. It is arguably the most important symbol of Tibetan Buddhism. The term means "diamond" and refers to the indestructible nature of the mind in itself, awakening, which is both imperishable and indivisible. The small scepter seems to be, originally, the diamond lightning of the god Indra, it is a mark of royalty and power.

(1) the five upper points represent the five wisdoms, five facets of the diamond that is the awakened mind:

mirror-like wisdom, which means that the awakened mind, just like a perfectly polished mirror, clearly reflects all things, possesses the ability to know everything, without any confusion.

the wisdom of equality, which recognizes that all the phenomena of samsara (my ordinary world) and nirvana (the pure fields or paradise of the Buddhas) are of an equal nature in that they are of a unique essence: emptiness

the wisdom of distinction, which denotes that the awakened mind perceives not only the emptiness of all phenomena (which is what the wisdom of equality operates) but also, in an uncontroduction simultaneity, all phenomena as they manifest themselves;

the fulfilling wisdom, which allows the Buddhas to create pure fields and emanations working for the good of beings;

the wisdom of universal space, which indicates that all phenomenes, beyond all concept and duality, dwell in the pure knowledge of the spirit.


2° At the same time as the five wisdoms, these five upper points symbolize the Five Conquerors or five main Male Buddhas on a mystical level. The five lower points symbolize the Five Female Buddhas.

3° The mouths of makara (sea monster) from which emerge the tips denote the liberation of the cycle of existences.

4° The eight upper petals represent the eight male bodhisattvas, in other words eight large bodhisattvas dwelling in celestial domains.

5° The eight lower petals are the eight female bodhisattvas.

6 ° The round part in the middle designates emptiness.



The bell, in Tibetan drilbou. It symbolizes, in a general way, emptiness (emptiness does not mean that nothing exists, but that phenomena do not exist as we perceive them because of the veil of ignorance that covers our mind).

1° Its hollow part represents emptiness and its beat the "sound" of emptiness (i.e. its dynamics potentially containing the manifestation)

2° The lotus with eight petals symbolizes the eight female bodhisattvas, associated with the idea of emptiness like all female deities.

3 ° The vase contains the nectar of the accomplishments.

4° The face on the handle is that of the female deity Prajnaparamitam symbol of the knowledge of emptiness.

5 ° The vajra contains its prope symbolism as seen above.

Finally, a buffalo horn skull was used as a finish to close the whole. The skull represents the impermanence of existence

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