The mala, trengwa, in Tibetan is the rosary of the Buddhist, the object from which the monk (or even the lay practitioner) almost never separates, holding it in his hand or wrapped around the wrist.
The mala is first of all a utilitarian onjet: it serves as a tactile medium for the recitation of mantras, at the same time as it is used to count them if one has set a set to repeat a defined number.
The mala is composed of 108 strung beads, which justifies its name, since it simply means "garland" (beads). The various components each contain a symbolic meaning specify: The big pearl (or Buddha's head) that closes the loop meets the knowledge of emptiness. The small cone that overcomes it is the mark of emptiness itself.
Our article explaining in detail the mala and the creative process available via this link
As a gemologist who graduated from the National Institute of Gemmology in Paris, all our stones are expert and certified.
As Malakara, we make all our malas ourselves, scrupulously respecting tradition.
This mala is composed of 108 red sandalwood beads, a rare quality of collection from India.
much rarer than white sandalwood has no characteristic smell and is part of the very valuable woods.
In Buddhism, sandalwood is one of the Padma (lotus) and corresponds to the Amitabha Buddha, plus the element of this Buddha is fire and its color, red. Sandalwood is considered capable of transforming desires and retaining the attention of a person practicing meditation.
Sandalwood is one of the main constituents of incense made in China, Taiwan, Japan, Vietnam, Korea, and is intended to be lit in temples or during worship. It is also widely used in India for these same applications.
Dimension of each pearl: 6mm by 8mm
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