bracelet crane and dragon.
The energies of skulls and dragons are different but very complementary.
Skulls embody healing energy
Dragons embody the energy of transformation.
Obsidian celeste eye of excellent quality from Mexico, diameter of 8mm for each pearl.
About 30 grams of silver 925
Mounted on korean extendable cord ultra resistant, guaranteed unbreakable
Video of the bracelet available via this link
As a gemologist graduated from the Institut National de Gemmologie de Paris, all our stones are appraised and certified.
We also put on this bracelet a vajra or dorje in Tibetan, a bell or drillou in Tibetan as well as a phurba in finish
Every Buddhist practitioner in Tibet and every ritual practitioner has three objects to which Tibetans attribute a deep and meticulous symbolism. These are the vajra, the bell and the mala.
Vajra, in Tibetan dorjé. It is arguably the most important symbol of Tibetan Buddhism. The term means "diamond" and refers to the indestructible nature of the mind itself, awakening, which is both imperishable and indivisible. The little scepter seems to be, originally, the diamond lightning of the god Indra, it is a mark of royalty and power.
(1) the five upper points represent the five wisdoms, five facets of the diamond that is the awakened mind:
mirror-like wisdom, which means that the awakened mind, just like a perfectly polished mirror, clearly reflects all things, possesses the ability to know everything, without any confusion.
the wisdom of equality, which recognizes that all the phenomena of samsara (me ordinary world) and nirvana (the pure fields or paradises of the Buddhas) are of an equal nature in that they are of a unique essence: emptiness
the wisdom of distinction, which denotes that the awakened mind perceives not only the emptiness of all phenomena (which is what the wisdom of equality operates) but also, in an uncompromized simultaneity, all phenomena as they manifest themselves;
accomplishing wisdom, which allows Buddhas to create pure fields and emanationes working for the good of beings;
the wisdom of the universal space, which indicates that all phenomenes, beyond all concept and duality, remain in the pure knowledge of the mind.
2° At the same time as the five wisdoms, these five higher points symbolize the Five Victors or five main Male Buddhas on a mystical plane. The five lower points symbolize the Five Female Buddhas.
3° The mouths of makara (sea monster) from which emerge the tips denote the liberation of the cycle of existences.
4° The eight upper petals represent the eight male bodhisattvas, in other words eight large bodhisattvas remaining in celestial domains.
5° The eight lower petals are the eight female bodhisattvas.
(6) The round part in the middle designates emptiness.
The bell, in Tibetan drilbou. It symbolizes, in a general way, emptiness (emptiness does not mean that nothing exists, but that phenomena do not exist as we perceive them because of the veil of ignorance that covers our mind).
1° Its hollow part represents emptiness and its beating the "sound" of emptiness (i.e. its dynamics potentially containing the manifestation)
2° The lotus with eight petals symbolize the eight female bodhisattvas, associated with the idea of emptiness like all female deities.
3° The vase contains the nectar of fulfillment.
4° The face on the handle is that of the female deity Prajnaparamitam symbol of the knowledge of voidness.
5° The vajra contains its prope symbolism as seen above.
The Phurba is a dagger to defeat demons. It was introduced into Tibetan Buddhism by Phadmasambhava and is a symbol of transmutation of negative forces.
Often made of stones, bones, or iron, phurba daggers of Tibetan Buddhist temples are easily recognizable by their triple-sided blade. Used in rituals to drive out unwanted spirits, Phurba acts spiritually to immobilize demonic spirits and sometimes kill them in the hope that they will reincarnate in better places.
Each component of Phurba has its own meaning. The blade of the dagger represents the method, with each of the three sides representing the three-spirit worlds. The tip reconciling all three to form a harmonious global axis. The triple-bladed design is also intended to simultaneously transform the three poisons of the world into positive energies. These poisons are ignorance, greed and aggression. Enemies of Buddhism who may require a lifetime to overcome in the quest for enlightenment. The blade is often seen as indestructible and lit with a fire to burn above hatred.
The handle of the Phurba represents wisdom and is often modeled as an eight-sided bulb with symmetrical knots at each end. There are various interpretations to the presence of these nodes. From the belief that Nirvana is locked inside, to the belief that the different sections of the knots contain the paradises of several gods. Going as far as the desire for a formless form, representing the fact of being formless in the kingdom of the Buddhas.
The top of the handle often displays the three wrathful deities of Yamantaka, Amrita Kundalini, and Hayagriva. Yamantaka, the face of white color, symbolizes the body and the destruction of hatred. Amrita, the face colored in blue, symbolizes the spirit and the destruction of illusion. Hayagriva, the face of red color, symbol of speech and the destruction of greed.
In many illustrations, Phurba's dagger is represented in a simple form, due to its small size. However, in its three-dimensional form, this tiny blade is most often depicted with many Buddhist symbols and demonstrates its focus on purging evil.
Under the dragon, we placed a DZI or "Tibetan sacred agate"
Authentic Dzi of recent invoice.
The Dzi is a Tibetan pearl, of distant origin, bringing many mystical benefits and benefits to its wearer. He is a Tibetan talisman or amulet, the king of lucky charms, sometimes revered as a true deity. The success of the Tibetan pearl comes from its multiple eyes, up to 21.
Dzi with two eyes, The pearl with 2 eyes represents the harmonious concept of Yin and Yang, the vital balance. So this pearl strengthens stability and balance.
On each silver ring of the Swastikas are engraved on the whole set
symbol that can be found in Europe (including Catholic art), Africa, Oceania, the Americas (pre-Columbian America among the Maya and Amerindians Navajo and Kunas) and Asia as far as the Far East. It appears in the Neolithic period for the first time in the pre-writing of the Vinča4 culture. This temporal and spatial ubiquity has sometimes earned it the name of "universal symbol". It can be described as a cross composed of four gallows each taking the form of a Greek gamma in capital (Γ), hence the name swastika that is often given to it.
The symbol is currently used in Asia and particularly in India. In Hinduism, it has many sacred meanings and it represents the god Ganesh. It is still a ubiquitous symbol among Buddhists. It is the primary symbol of Jainism, considered by its followers as the most favorable of all symbols. In China, it symbolizes eternity. It is also frequently seen in statuary temples, decorations, dress patterns in all Buddhist countries, the Far East, Southeast Asia and Central Asia.
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